The second visual of the year from Mj Apollo appeared at the end of last week. He links again with videographer/producer of the record, Stone, to release “STARSEED.”
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At the top of last week, Rocky Banks had tagged us to his newest visual titled “MOJO” with Trent Owens behind the lens on this prominent release.
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The video instantly interested me since it shared a detailed look into someone attempting not to stress the little things, especially heartbreak
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We’re familiar with AsiaNae by her hit record “Period Pooh,” but this would be an introduction to Ace Apollo, which he didn’t disappoint
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It’s all poor decisions & no good intentions when Khali is in Tarabully mode but, imagine that on steroids & you get him Rob Van Damming you weaklings so, I’m sorry that I’m not sorry to say but, if you don’t got your weight up, you ain’t gonna be raising no bar.
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Your favorite rapper works hard, but Banco Ray works harder. From releasing projects to singles then to visuals, there’s no stopping him at this point
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Another visual from Intre’s “Throwaway Burners, Vol. 2” surfaced earlier in the week. We get the viewing treatment to track three off the project titled “Jedi,” with Sol Cinematic adding in his keen eye for detail to bring another successful video release upon Intre’s catalog.
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NJ native Alley Rocket latest single titled “Hacienda Heights” instantly got me hooked off the first few seconds of the record spinning.
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Combined with pristine production sampling the Goosebumps series intro & the elite Sol Cinematics behind the lens, the title track for the record is a perfect description for these emcees who are currently on a winning streak
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Still, in good faith, Lilly has dropped another video in the process to her newest single, “About You.” Now because I could never have too much Lilly Aviana, I decided to make sure this post was about both visuals
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We got our answer last week when she released the video to her outro record “Pothos” to bear witness to the greatness of it.
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The second collaboration of the year from Doeman & Southside Hoodlum was released just days after Doeman’s prominent album “Brown Soul,” He decided to give track eight off the project the visual treatment.
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