The playful visual from 7Kaos featuring Mike Brunch titled “Moviendo Haciendo” might just be your new favorite record and for good reason.
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Turn off the Mariah Carey, pour some eggnog in a double cup, light up something brighter than the lights on the tree, and let Rapping Paper play all the way through.
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While the year already blessed us with an abundance of standout music, including “Marco Plus Vs. The World,” he wasn’t done yet. Right at the finish line, Marco doubled back with an extended edition that didn’t just ride the momentum of the original, but elevated it entirely.
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Slow the tempo, dim the lights, and settle in; “NO LOV3 LO$t” thrives in that late-night space where luxury and reflection collide.
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Even as the year winds down, we’re reminded of just how much great music we’ve been gifted throughout the past twelve months. But it’s the last call releases, the ones that arrive quietly yet hit the hardest, that tend to leave the deepest impression. Right now, nothing embodies that feeling more than Chris Patrick’s “Pray 4 Me.”
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Conway The Machine has officially entered the conversation for album of the year with his latest release, “You Can’t Kill God With Bullets.” From top to bottom, the project is a relentless display of grit, conviction, and survival; everything Conway has built his legacy on, sharpened to a blade.
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The Cool Kids surprised fans this past week by dropping the updated roster remix of their Gone Fishing standout, “Pennies,” featuring Ludacris and Bun B; a move that instantly sparked nostalgia while reminding listeners why the duo’s catalog remains timeless.
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Big K.R.I.T., a personal favorite of mine and a staple in Southern hip-hop, returns with his latest album, “Dedicated To Cadalee Biarritz;” a project that feels both familiar and refreshing.
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Recently, Daisy Simo resurfaced with two new freestyles released via SoundCloud, titled “Money Twerk” and “Sweet Revenge.” Together, the pair showcases her versatility, bilingual finesse, and fearless pen; each track tapping into a different pocket of her creative identity.
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From the jump, the project reminds listeners why GWAPMIZZLE has maintained his rank for years. The heavy bass, the aggression, the confidence; it’s all still here.
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The record paints Lexa in full vulnerability, openly expressing how head over heels she is for a potential love interest. She sings from a place of yearning, not ever wanting to find herself estranged from the person who holds her emotions so intensely
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From the moment the production hits, it becomes clear that “Priscilla” was crafted specifically for her; a beautifully layered instrumental that gives GIOVANNA the perfect space to unravel her thoughts, doubts, and desires.
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