Big K.R.I.T., a personal favorite of mine and a staple in Southern hip-hop, returns with his latest album, “Dedicated To Cadalee Biarritz;” a project that feels both familiar and refreshing.
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Recently, Daisy Simo resurfaced with two new freestyles released via SoundCloud, titled “Money Twerk” and “Sweet Revenge.” Together, the pair showcases her versatility, bilingual finesse, and fearless pen; each track tapping into a different pocket of her creative identity.
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From the jump, the project reminds listeners why GWAPMIZZLE has maintained his rank for years. The heavy bass, the aggression, the confidence; it’s all still here.
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The record paints Lexa in full vulnerability, openly expressing how head over heels she is for a potential love interest. She sings from a place of yearning, not ever wanting to find herself estranged from the person who holds her emotions so intensely
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From the moment the production hits, it becomes clear that “Priscilla” was crafted specifically for her; a beautifully layered instrumental that gives GIOVANNA the perfect space to unravel her thoughts, doubts, and desires.
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Tay Money delivers three festive records designed to give every baddie the soundtrack she needs for a lavish Christmas takeover.
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Instead of scattering these releases one by one, Sage designed a plan: bundle the ones that matter most into a drop that feels necessary, and intentional in today’s climate.
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RU$H ain’t new to blessing the holidays with prestige. Every year, he pops out with a fresh dose of seasonal flex, and this time around, his fourth entry in the “Luxury Art” series comes dipped in opulence from start to finish.
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While we’re still in the patiently waiting stage for his anticipated solo project, MIbbs reassures us it’s still coming within the upcoming year. And to keep the momentum alive in the meantime, he drops off an eccentric new single titled “Stop Being Weird.”
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When Karrera and Estee Nack linked up last month for their collaborative single “Tabarnack,”produced by the always-lethal Mike Shabb, I don’t think anybody was fully prepared for how potent this record would sound once it hit the speakers.
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Now, with the eyes of the city and the state on him, FOEMOB is cruising on the high rise of newly cemented fame, delivering his debut album “Square Bidnez” to an audience hungry for more.
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“Frankenstein” is the kind of track that reminds listeners why hip-hop is at its best when artists are fearless; when they attack the beat, pierce the mix, and leave the room trembling. Chris Patrick, Marco Plus, and Conductor Williams didn’t just make a song…they constructed a monster.
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