Yung Bambi - Bexar County Club (Album)

Yung Bambi has culturally crafted a masterpiece with his most recent album titled “Bexar County Club,” where the nine records together give you a versatility range of art. He goes against the grain to perfect his latest magnum opus by putting his creativity on the line to seize the opportunity of shifting his sound to something spontaneous. The project is pressed with prominent production throughout from BabyChino, Mason Flynt, Cub$kout & many more. Then tackling over features, he enlisted BBY Kodie, Izzy93, 10.K Cash & Strap Never Had Love to bring forth their monumental structure to clash with his, making a tsunami of virtuous efforts.

Switching over the dials to Bexar Club Radio hosted by Lil Durag, the first track to appear is titled “Ttu,” where Bambi’s vigorous nature is shown on display right out the gate, capturing a lyrical essence that builds beautifully with the production. The track is already creating mayhem in the first few seconds becoming an introduction on the verge of causing more mass hysteria for the listeners. Before dropping the album, he had previously released “Commotion,” which, if you’ve been in the mosh pit when the record spins, you already know its thrashing effect, so extending the track made it more of a thrill to enjoy. There were many standout tracks throughout the album, the one that sticks out further to me is the Izzy93-featured record “Twisted,” which was a much-needed collaboration from the two talented artists, but the fact that Bambi had Izzy exiting out of his normal rhythm is what I enjoyed the most. The beat is this exotic trap production that sounds like they added some upbeat drums in the mix; its fast-paced motion took off in an impressive manner where both artists kept balance and made it a must-see live for future performances. It’s crazy to hear the true musical shift in these records, like there isn’t anybody out dropping shit this wild. I have to give credit to “High Fashion,” another example of the high-intensity production heard on the project, and Bambi, who mimics the record's speed and keeps up with it. Even 10k.Caash shifts his tone to apply pressure in a concluding manner for the record. “Eater” is already becoming a fan-favorite just off the strength of Bambi’s flow; of course, we can already see a crowd being swallowed into the mosh pit when the record is played, but if this isn’t another example of the wildness that concurs with the growth of Bambi’s artistry then I don’t what is. Go argue with your mom but not me, “Lost My Heart In Texas” is one of the greatest outros; not only do you have Bambi & Strap Never Had Love collaboration, but I’m sure you walked into this record with an idea of how it would sound for it to drop an entire galaxy of vibes onto your head. It sounds like three tracks in one, and it doesn’t sound out of place; it perfectly showcases the prestigious effect that Bambi goes beyond to prove his greatness to an audience. It’s not even biased for me to say this album is the truth; even if I didn’t know Bambi, there is no reason to say this album isn’t the pinnacle of creative minds linking to create something unique. All respect to those that had a helping hand in completing this project, from the cover art to the massive support; it’s a gargantuan win for the city that collectively, when banded together, we can take over the world.

I never get tired of sharing deep admiration for Bambi’s gift as an artist; indeed, someone who takes inspiration and runs with it to create his own world with it. Job well done, Bambi. We highly recommend if you haven’t had a chance to check out the album yet that, you do so now, at the time of reading this, and be amazed.