Pat Ron - The Highest, Flyest Fly On The Wall (Album)
Over the weekend, my ears were flooded with the sounds of Por Vida’s crisp production over the high potency of Pat Ron’s radical lyricism as he dropped his long-awaited fourth entry titled “The Highest, Flyest Fly On The Wall.” The album is mixed with a relaxing state of sounds, from the jazz infusion to the tranquil sequence that puts you in a state of equanimity during a listening experience that will calm your senses while showcasing Pat Ron’s wordsmith ability. Por Vida, who went through the range with his beat selection for Pat Ron, completed a divine set for Pat to deliver more proof of why he’s one of the most prestigious lyricists in hip-hop. Keep your third eye open when applying this 8-track project to your psyche; it’s enough to rock & shock a fragile artist back in submission; these records aren’t for the weak-hearted, especially when you break down line for line what Pat Ron is saying which I gladly did and made astonishing discoveries in my time with the album that I’m hype to share today on the site.
The intro record “Never Another This Fly” was the first listen we got to the collaboration efforts from Pat & Por Vida, which was all we needed to get us hooked since they worked well on displaying a bit of grit & prominent notion in the music. It’s a great start to the project since Pat gave us a record we’re familiar with that would inch us closer to seeing the next track, which is mystified follow-up. “Mirror, Mirror” on the way; why is Pat Ron the flyest of them all? Well, no need to question anymore as Pat treats this record like a smoke session. He’s breaking down the beat before cutting up the gar while rolling up this nicely packed sweet before lighting up the end to give you the perfect description of audio dope. You could say the high is hitting astronomical levels with the way “Centerfold” draws you in to keep you incubated at the rhymes Pat is dishing out. It’s a smooth set of lines when Pat Ron gets to applying pressure; his nonchalant manner is a scary sight, especially in this record. He’s laid-back; not giving a fuck but a verse from him in this manner is deadly; hear the words spoken and keep your necks protected from the steel-sworded wordplay he’s wielding.
“Everybody Got A Different Angles; Square N****x Can’t Come Around.”
“SwatMeOutTheSky” is one of my favorite joints off this album, and the line mentioned above is probably why. That bar will go over most people’s heads but goddamn, if it isn’t a clever portion of the record and a perfect example of why Pat Ron’s pen is mighty. I think every great rapper I admire has a record whey they flourish nicely over jazz instruments: Action Bronson, Mac Miller, Kendrick, etc. now Pat Ron can be added to that list since in “Logo Ralph,” he goes off in conscience speaking & witty scheme to continue on his path ahead to be a menace with the raps. Finishing up the album with the final three records, all compiling a small piece of the previous tracks mentioned, hone in gradually on the outro record “Flytro,” which sounds like a victory lap for Pat Ron. Breaking out the weed and the champagne glasses while we toast to the god and his eminent producer for the project, who all deserve the gratification they’ve been getting in the last few days that we hope to see moving forward. We highly recommend checking out the album here while sharing it on social media.