On "32nd Floor" Nija sings like she’s sitting inches from the mic—mouth close, breath steady, tone sitting somewhere between a whisper and a command. Low, sloped syllables overdraw the line between whispers and commands.
Read MoreOn "32nd Floor" Nija sings like she’s sitting inches from the mic—mouth close, breath steady, tone sitting somewhere between a whisper and a command. Low, sloped syllables overdraw the line between whispers and commands.
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