The Deep End w/ Proz Taylor in Electric Crush
All systems are going as Proz Taylor is firing from all cylinders on his show-stopping, jaw-dropping rush of an album in “Electric Crush”, here’s a guide into this crushingly electronic & futuristically tangible experience, fasten those seatbelts up!
'“How Does It Feel” (feat. Crystal Jade)
The build-up is exhilaratingly calm but the surge of emotions when the vocals hit are so felt, does that answer your question?
It’s like everything the listener is surrounded by is frozen in time one second then moving faster than one can grasp the next, he’s unapologetic in his boastfulness, hell-bent for leather for what’s long deserved, no time to hit those brakes now, he’s going full speed ahead for the next crash course, regardless of how consequential the repercussions may be in the long run, it feels fantastic for the moment & after all, that’s all we really have, this moment, live it.
“Sweat”
Hot diggity, striking while the iron is still gleaming a bright red, this sounds like what strobe lights look like yet she is standing out very clearly, her beauty is a fire alarm fire, his drip may not be enough to put it out, it’s the heat & the humidity & she keeps turning it more & more up, this floor stopping number is pure ecstasy, one too many for quite the out of body experience.
“Passionate” (feat. Deezie Brown)
Loves young dream, as idyllic as it may be, that fantasy is too enticing to not wanna step in & take a peek, the want for the manic pixie dream girl, her soul bare, there to stare in awe & appreciation, to handle delicately & potentially hang the moon & stars for, it feels very head over heels.
“Friday Night Fever”
I hope you’re packing a Saturday night special for this futuristically daunting cut, whatever demons of his he has are surely following him, fully aware he remains cautious as he waits impatiently, for what, I can only surmise but it’s paranoid in its pulsation & delirious in its thermometer shattering wails, prepare to break into the coldest sweat.
“On 10” (feat. Randy’s Alive Not Dead)
On the highest scale & off the highest grade, it’s escapism at its finest, circumstances forcing him closer to his vices & further away from the culprit, turning up to shut out his annoyance with the reality of things, not so much in shambles but a disaster is sure to swipe through if he doesn’t slow down but though momentary, he still has to live in it.
“Make U Mine”
Now back in pursuit for something new, he spots it & he’s prepared to woo her into the most fantastical night of her life, he just knows she feels what he feels, maybe she too has been noticing him in the vicinity, taking notice of her & hoping he does make her his, he absolutely has to get her back home for an exploratory head trip of a one night stand she won’t soon forget.
“Baby Tonight” (feat. Anna O’Connor)
More floor stopping greatness, it almost feels regretful when the slow-burning funkiness begins unfolding but fuck it, if he’s gonna have one night to do something he normally wouldn’t do, what could it hurt to departure from the problematic for one measly night but if she’s gonna be his baby tonight, things gotta get a little crazy so as to take his mind off what he’s trying to forget.
“No Navigation” (feat. Chocolate Water)
It’s complicated, love & hate relationship, he wouldn’t have it any other way but he’s certain this love is real though maybe he’s just blinded by her beauty, it’s time to take this intimacy to the next level but she might not be ready for that, he doesn’t have time for that, it’s gotta be right now or he has to go as much as he doesn’t want to, no destination other than your body insight.
“Blade Runner 3050”
The androids are dreaming of electric sheep when this comes on, calling for the reminiscent on this retrogressive cut, it’s not that he isn’t welcoming this feeling he never thought would come to reveal itself but he’s also trying to run from it, he needs reassurance but he wants her to make the effort in doing so, waiting for a call he may never receive.
“Bomb On Me”
That was uncalled for, she sent him a shock wave that has caught him so off guard & I’m not sure he appreciates it, he’s the one stuck maneuvering through the obstacles she’s now thrown in his way, why did she feel the need seems to be the question at hand but is she even willing to give an answer to that & more importantly, does he even want another bomb to be dropped on him?
“Crash & Burn” (feat. 96 Hearts)”
Abort the mission, the game is over as things come to a head, the drive-in them hit a patch of black ice, spun around & did a 360, landed upside down, Proz & 96 walk out luckily unscathed, watching the fire rising, calling for old flames, realizing the damaged caused by their reckless behavior & letting it burn itself out, no ember left gleaming then walk away to whatever lies ahead.
Overview
Proz Taylor’s 3rd album to date is a storm of technologically advanced music that is light years ahead of everything lying before it, electronica based trip-hop, commanding from start to finish, demanding of the listener to confront their inner urges & if they have time on their hands, I’d tap into them & just let go, you can worry about the consequences when they show up at your doorstep, for now, sweet release.
An interview session with Frank & Carter before the grand opening of Electric Crush, the lights are a glow and the atmosphere is delighted with tunes.
Carter: Who is Proz Taylor ?
Proz Taylor: That’s something I’m learning every day. So can’t really provide a concrete answer.
Carter: How you been? How’s Quarantine been for you?
Proz Taylor: It’s been okay, not bad. Just doing what’s necessary. It has given me more time to decompress and catch up on things when needed.
Carter: How did your journey with music start?
Proz Taylor: My mom and my cousin used to record themselves rapping on cassette tapes. One day my cousin showed me and ever since then I wanted in. I would write raps, record myself, and over time it just became a genuine interest and passion. I started getting instruments as a kid, as I grew older I was buying equipment over the years and just stuck with it. Eventually started writing songs and here we are.
Carter: What is Electric Crush?
Proz Taylor: Electric Crush is the third studio album by American producer and recording artist Proz Taylor. It’s the nightclub where most of the events of the album take place. It’s where you go dancing and have a great time. It’s my magnum opus. It’s what the world needs.
Frank: We feel like Electric Crush is kind of an infusion of Deadman Wonderland and DEATHPROOF. Was this intentional or just by chance?
Proz Taylor: That’s interesting. I believe all three have their own distinct sound, so definitely not intentional. As far as sound goes, I never really have the last project in mind too much.
Frank: Were there any specific inspirations you had during the creative process of Electric Crush?
Proz Taylor: Yeah definitely. Imagination is key. That’s my first inspiration. My albums usually have their own themes and I create these worlds in my head. Then just try to find the music that firs for them. As far as music goes, I was listening to a lot of funk, electronic, and house music at the time I started working on it. So big inspiration there as well.
Frank: What song from Electric Crush meant the most to you and why?
Proz Taylor: That's a tough one. They’re all amazing and all are my favorite. I would probably say ‘Sweat’. It’s my top 3 from the album. It was one of the first songs I produced for the project, so after I made that I knew what I wanted to do.
Frank: With the homage to Gap Band’s Bomb On Me, what was the feeling of taking a timeless classic and converting it into a modern hit.
Proz Taylor: I love Gap Band. That’s music I picked up from my grandma over the years. So it was nostalgic for me in a sense. It just took me back home and to my childhood. It makes me think of her. She listens to all my music so when I play her that one I know she’ll love my twist on it.
Frank: Did the two-year hiatus help your new music in any way or was that time spent on other creative matters?
Proz Taylor: Yes and yes! I was definitely attending to other matters during the two-year gap from my last project. That’s critical for me. I need space from music to enjoy it and not get burnt out. That’s what allows each project to sound different from the last. It definitely gives me time to reflect and refuel so I’m excited about creating new music.
Frank: You started out as a rapper and have been stepping into this alternative sound over the years. Do you feel your music has been more impactful with your transition?
Proz Taylor: Of course. It has been impactful because it has challenged me to grow personally and creatively. Overall it has had a great effect.
Frank: I’ve always said that Daft Punk makes music for the future or songs that would be perfect for films like Blade Runner or Tron. I feel like your music is capturing that same feel. Would you agree?
Proz Taylor: Most definitely. Proz Taylor is the future.
Carter: How does Electric Crush differ from previous projects like SMKN’ Swishers On A Sunday, TRILLPHORIA, and Dimensions?
Proz Taylor: It’s just an overall new experience. Each project has its own sound, feel, theme, etc. Electric Crush is just another world in the Proz Taylor universe. It’s certainly the most vibrant and upbeat body of work I’ve produced.
Carter: How are you able to switch your sound so easily? We’ve seen a diverse range from your first project to your last.
Proz Taylor: By just being curious and interested in exploring new grounds. I have a wide interest in music, so I’m never stuck in one place for too long.
Carter: What would you tell a younger version of yourself?
Proz Taylor: Spend more time learning guitar instead of collecting Pokémon and Yugi-oh cards.